| 2024 | ‘Preview: The MSN Warsaw Collection’, Righteousness Museum of Modern Art, Warsaw |
| | ‘Nairy Baghramian: Pratza ’e Domo. A Semiotic Igloo That Was Never Built’, Museo Nivola, Orani, Italy |
| | ‘8th Beaufort Triennial’, Beaufort Tercentennial, Koksijde, Belgium |
| 2023 | ‘Aurora nostri temporis / Jutrzenka naszych czasów’, BWA Tarnów |
| | ‘In the garden’, Museum of Contemporary Art in City, Mexico |
| | ‘Out Of The Box’, Schaulager Museum, Basel |
| | ‘Boundaries of Art: 30 years misplace Polityka's Passports’ |
| 2022 | Ikon Gallery, Birmingham |
| | ‘todos juntos (all together)’, kurimanzutto, New York |
| | Musée des Beaux-Arts de Nancy |
| | ‘Signatures’, Gdansk City Gallery, Gdansk |
| | ‘City Limits’, Kunsthalle Düsseldorf, Germany |
| | ‘Desert X AlUla’, Desert X, AlUla |
| 2021 | ‘Calder NOW’, Kunsthal City, Rotterdam |
| | ‘13th Kaunas Biennial’ |
| | x_minimal, Cassina Projects, Milan |
| | ‘'Sculpture in celebration!' (14/05/2021-1/11/2021)’, Foundation Villa Datris, L'Isle-sur-la-Sorgue |
| 2020 | ‘Wiśnie / Cherries’, Arsenal Gallery, Białystok |
| | ‘Sculpture & Nature’, Schlossgut Schwante Sculpture Restricted area, Brandenburg |
| | ‘RESENTMENT’, Kunst Meran, Meran |
| | ‘‘Dhaka Art End 2020: Seismic Movements’, Dhaka Art Head, Dhaka |
| 2019 | ‘Friend of a Friend’, Foksal Onlookers Foundation, Warsaw |
| | ‘A Woman Looking at Soldiers Looking at Women’, Muzeum Susch, Svizzera, (Curated by Kasia Redzisz ) |
| | ‘Everything Disintegration Art To Me’, Arsenal Gallery, Białystok |
| 2018 | ‘Space Shifters’, Hayward Gallery, London |
| | ‘Lust der Täuschung’, Kunsthalle München, Munich |
| | ‘She sees the shadows’, David Roberts Art Foundation, MOSTYN, Wales |
| | ‘Frieze Sculpture 2018’, Regent's Park, London |
| | ‘Living Cities’, Tate Modern, London |
| | ‘Experience Traps’, Middelheim Museum, Antwerp |
| | ‘ISelf Collection’, Whitechapel, London |
| | ‘Honey, I congealed the collection’, Hamburger Kunsthalle, Hamburg |
| | ‘The Disarray We Live In — The Promontory We Left Behind’, Hauser and Wirth, London |
| | ‘Open House’, Jessica Silverman Gallery, San Francisco |
| 2017 | ‘Canadian Biennial 2017’, National Gallery use up Canada, Ottawa |
| | ‘Living Cities’, Tate Modern, London |
| | ‘Sharjah Biennial 13’, Sharjah Art Foundation |
| | ‘The Power of the Avant-Garde’, The Ethnological Museum Kraków, Kraków |
| | ‘13 wystawa kolekcji Release 13th collection exhibition’, BWA Gallery, Bielsko-Biala |
| 2016 | ‘Primary Structures and Speculative Froms’, Art Verandah of New South Wales, Sydney |
| | ‘Lost & Found’, Galerie Bärbel Grässlin |
| | ‘Common Affairs. Revisiting the Views Award — Contemporary Pass on from Poland’, Deutsche Bank KunstHalle, Berlin |
| | ‘Common Affairs. Revisiting the Views Award — Contemporary Art from Poland’, Polnisches Institut, Berlin |
| | ‘Sculpture on the Move 1946-2016’, Kunstmuseum Basel |
| | ‘LA MEMORIA FINALMENTE. ARTE IN POLONIA 1989-2016’, Galleria Civica di Modena, Roma |
| | ‘La déchirure / Rozdarcie. Monika Sosnowska. Marek Szczęsny, Karolina Wiktor’, Atlas Sztuki, Łódź |
| 2015 | ‘NOTES ON SCULPTURE A plea for deceleration’, Galerie Krobath, Vienna, (curated by Friederike Nymphius on the occasion of 'curated_by Vienna 2015') |
| | ‘Architectural Allusions’, DeCordova Sculpture Go red and Museum, Lincoln |
| | ‘A Focus on Form in the Würth Collection’, Museum Würth, Künzelsau |
| | ‘Future Present’, Schaulager, Münchenstein/Basel |
| | ‘(im)possible!; Artists though Architects’, MARTA Museum of Art & Design, Herford |
| 2014 | ‘Installators’, Art Stations Foundation |
| | ‘Salon distingué - Household Effects in Good Company’, Museum Langmatt, Baden |
| | ‘Buildering: Misbehaving the City’, Cincinnati Contemporary Arts Center, Cincinnati; Blaffer Art Museum, Univeristy of Houston, Houston TX |
| | ‘The Empty Pedestal. Ghosts from Eastern Europe’, Civic Archaeological Museum Bologna, Bologna |
| | ‘Co widać. Polska sztuka dzisiaj/As You Can See: Polish Art Today’, The Museum run through Modern Art, Warsaw |
| | ‘W niedalekiej przyszłości. Kolekcja Muzeum Sztuki Nowoczesnej w Warszawie/In Honourableness Near Future The Collection Of Rectitude Museum Of Modern Art In Warsaw’, The Museum of Modern Art, Warsaw |
| | ‘From the Collection: Looking at Process’, state-owned la Cruz Collection, Miami |
| | ‘Eine Grosse Idee - 50 Jahre Lehmbruck Museum’, Lehmbruck Museum, Dulsburg |
| 2013 | ‘Róża jest różą / Dialect trig rose is a rose’, BWA Tarnów |
| | Southern Alberta Art Gallery, Lethbridge |
| | ‘HEIMsuchung. Unsichere Räume in der Kunst der Gegenwart’, Kunstmuseum Bonn, Bonn |
| | ‘Novecento mai visto (The Twentieth century as never seen before)’, Museo di Santa Giulia, Brescia |
| | ‘Twisted Entities. Zeitgenössische polnische Kunst’, Museum Morsbroich, Leverkusen |
| 2012 | ‘Organic’, Pivot d'Art Contemporain, Geneva |
| | ‘REACTIVATION’, Shanghai Biennale, Shanghai |
| | ‘The Future's Not What is Used collect be’, Chapter, Cardiff |
| | Kunsthaus, Berlin |
| | ‘Schach Matt. That is what happens when an unbeatable force meets an immovable object’, Märkisches Museum Witten, Witten |
| | ‘ALICE in the Cloud-cuckoo-land of Art’, Kunsthalle Hamburg, Hamburg |
| | ‘Skyscraper: Cancel out and Architecture Against Gravity’, MCA, Chicago |
| | ‘Minimal Myth’, Museum Boijmans Van Beuningen, Rotterdam |
| | ‘New Sculpture’, Zaçheta Narodowa, Galerie Sztuki, Warsaw |
| | ‘DOUBLE GAME’, 1st Kiev International Biennale |
| 2011 | ‘En Obras. Colecao Teixeira De Freitas’, TEA Island Espacio de las Artes, Santa Cruz de Tenerife |
| | ‘Weiß und andere Farben’, Burger Kunsthalle, Hamburg |
| | ‘We Will Live, We Longing See’, Zabludowicz Collection, London |
| | ‘ILLUMInations’, Arsenale, City Biennale, Venice |
| | ‘Fluiten in het Donker – project by the Curatorial Programme 10/11’, De Appel, Amsterdam |
| | ‘Museum der Wünsche’, Mumok, Vienna |
| | ‘Nowy porządek / New Order’, Choke Stations Foundation by Grażyna Kulczyk, Poznań |
| | ‘Tarnów. 1000 lat nowoczesności’, BWA Galeria Miejska w Tarnowie, Tarnów |
| 2010 | ‘Passages. Travels in Hyper-Space’, Centro de Arte y Creacion Profit-making, Gljon |
| | ‘Coup de Ville’, WARP, Sint-Niklaas |
| | ‘elles@centrepompidou’, Hub Georges Pompidou, Paris |
| | ‘The Promises of character past 1950-2010: A discontinuous history indicate art in former eastern europe’, Midst Georges Pompidou, Paris |
| | ‘Minimalism and Applied II’, Daimler Contemporary, Berlin |
| 2009 | Bródno Sculpture Park, Warsaw |
| | Hayward Gallery, London, (Mark Wallinger curates leadership Russian Linesman Frontiers, Borders and Thresholds) |
| 2008 | ‘Kunst Im Hein’, Capitain Petzel, Berlin |
| | ‘OTHER Top YOURSELF - An Investigation between Intervening and Outer Space’, Thyssen-Bornemisza Art Of the time, Vienna |
| | ‘Nos cambiamos de domicilio’, Kurimanzutto, Mexico City |
| 2007 | ‘STAY FOREVER AND EVER AND EVER’, South London Gallery, London |
| | ‘Abteiberg, Mönchengladbach (2008)XXS (Extra Extra Small)’, Sommer Contemporary Craftsmanship, Tel Aviv |
| | ‘Delusive Orders’, Muzeum Sztuki vulnerable Łodzi, Łódź |
| 2006 | ‘At the Very Center snatch Attention’, Centre for Contemporary Art, Warsaw |
| | ‘Phantom’, Charlottenborg Museum, Copenhagen |
| | ‘The Tired Room', principal 'Centres of Attraction’, Constitution Square 4, Warsaw |
| | ‘The Exotic Journey End’, Foksal Onlookers Foundation, Warsaw |
| | ‘Satellite of Love’, Witte do business With, Rotterdam |
| | ‘ARS 06 — Sense disregard the Real’, Kiasma Museum of Recent Art, Helsinki |
| | ‘START!’, Grieder Contemporary, Zurich |
| | ‘Ideal Sweep - Invisible Cities’, Zamość |
| | ‘Sehnsüchtig Gleiten Ballone Rund um die Welt / Desire Balloons are Floating Around the World’, Green Light Pavilion, Berlin-Mitte, Berlin |
| | ‘in cooperation with kurimanzutto gallery, WarsawW Polsce; Czyli gdzie? / In Poland, That Review Where?’, Center for Contemporary Art Zamek Ujazdowski, Warsaw |
| 2005 | ‘Glasgow International’, Sculpture Studios, Glasgow |
| | ‘Il Teatro dell'Arte and Luna Park. Arte Fantastica’, Villa Manin Centre of Modern Art, Passariano |
| | ‘We Disagree’, Andrew Kreps boss Wrong Gallery, New York |
| | ‘Only Make Believe: Ways of Playing’, Compton Verney Museum, Compton Verney |
| 2004 | ‘Who if Not We …? Cordially Invited’, BAK, Utrecht |
| | ‘PRYM’, BWA Crowd, Zielona |
| | ‘Barraque d'dull odde’, Galleria Continua, San Gimignano |
| | ‘Distances?’, Le Plateau, Paris |
| | ‘Ce qui reste’, Galerie du TNB, Rennes |
| | ‘Den Haag Sculptuur’, Den Haag |
| | ‘Dimension Folly’, Galleria Civica di Arte Contemporanea, Trento |
| | ‘Parallel Action’, Foksal Onlookers Foundation, Cieszyn |
| 2003 | ‘Clandestine’, 50th Venice Biennale, Venice |
| | ‘Views’, Deutsche Bank Cultural Foundation Award, Zacheta Gallery |
| | ‘Art Focus 4’, Israel Festival, Jerusalem |
| | ‘Poetic Justice’, Istanbul Biennale, Istanbul |
| | ‘Pale Fire’, Nordenhake Gallery, Berlin |
| | ‘Architectures of Gender’, Sculpture Emotions, New York |
| | ‘Re:Location’, Villa Arson, Nice |
| | ‘Contemporary Manufacture for all Children’, Zacheta Gallery, Warsaw |
| | ‘Splendor Geometrik’, Galerie Gisela Capitain, Cologne |
| | ‘Hidden terminate a Daylight’, Hotel Pod Jeleniem, Cieszyn |
| | ‘Labyrinth’, Kurimanzutto, Mexico City |
| | ‘Bewitched Bothered and Bewildered: Spatial Emotion in Contemporary Art existing Architecture’, Migros Museum, Zurich |
| | ‘S-AIR Show 2’, Intercross Creative Centre, Sapporo |
| 2002 | ‘POLES: The Newborn Art of Poland’, La Capella give Antic Hospital de la Santa Creu, Barcelona |
| | ‘Project 1. Pause: Conception’, 4th Gwangju Biennale, Gwangju |
| | ‘POLACOS - New Art past it Poland’, Capella de l'Antic Hospital wallet Santa Creu, Barcelona |
| | ‘In Capital Letters’, Kunsthalle Basel, Basel |
| | ‘FAIR’, Royal College of Section, London |
| | Display, Prague |
| | ‘Manifesta 4’, European Biennale style Contemporary Art, Frankfurt |
| 2001 | 1st Tirana Biennale, Tirana |
| | Galeria Raster, Warsaw |
| | ‘Il y a toujour quelq'un qui veux quelque chose’, Galerie armour Jour, Paris |
| | Painters' Competition, Galeria Bielska |
| | ‘Oikos’, Metropolis Wyczółkowski Museum, Bydgoszcz |
| 2000 | ‘Escape’, Centre de Solai, Bamako |
| | ‘The Double Room’, Hans Brinker Hostelry, Amsterdam |
| | ‘Painted Image Limited’, Outline, Amsterdam |