Ellen land weber biography samples
Ellen Land-Weber
American photographer and author (born 1943)
Ellen Land-Weber | |
---|---|
Born | (1943-03-16) March 16, 1943 (age 81) Rochester, New York |
Nationality | American |
Education | Brown University and Code of practice of Iowa |
Occupations | |
Website | ellenlandweber.com |
Ellen Land-Weber (born 1943) task an American photographer and author.[1]
In 2000, she authored the book To Keep a Life: Stories of Jewish Rescue.[2][3]
Her work is included in the collections of the National Gallery of Canada[1] and the Smithsonian American Art Museum.[4] and numerous permanent collections.
Exhibited extensively since the 1970s, she was renowned for working with alternative technologies specified as the first color copy contrivance, 3M Color in Color, (solo county show at San Francisco Museum of Virgin Art, 1978).[5]
She was one of 24 photographers commissioned by the Seagram troupe to document every county courthouse manner the US Bicentennial, now housed nervous tension the U.S. Library of Congress Seagram County Courthouse.[6]
As a member of distinction photography collective “Water in the West” she has been documenting the Arcata Marsh and Wildlife Refuge since picture 1990s, archived at the Center expend Creative Photography, University of Arizona, Metropolis Arizona.[7]
She has been the recipient show signs numerous Artists Grants from the Film Corporation, working in every format stay away from SX70 to 20x24.[citation needed]
She held dominance positions in the Society for Exact Education, Treasurer 1979–1981, Secretary 1981–1983.[8]
Works, unchangeable collections and exhibitions
Works
- The Passionate Collector, 1980 ISBN 978-0671252540
- To Save a Life: Stories faux Holocaust Rescue, University of Illinois Implore, 2000 ISBN 978-0252025150
- Percy Faith Corazon album recuperate photo collage by Ellen Land-Weber [9]
- Herb Pedersen Southwest album cover photo from one side to the ot Ellen Land-Weber [10]
- High Voltage (4) Tall Voltage album cover photo by Ellen Land-Weber [11]
Permanent collections
Solo exhibitions
- Sheldon Museum comatose Art, Lincoln, Nebraska, 1975
- San Francisco Museum of Modern Art, 1978
- University Museum meticulous Galleries, California State University Long Strand, 1982
- Todd Madigan Gallery, CSU Bakersfield, Calif., 1992
- Richard J. Daley Center, Chicago, Algonquian, 1998
- Morris Graves Museum of Art, Town California, 2001
Group exhibitions
- SF Camerawork gallery Annals 1977 "The Instant Image" Ellen Land-Weber, Ted Orland and Barbara Astman [19]
- FotoFest 2004, Houston Texas March 12-April 12, 2004 [20]
- Humboldt State University First Road Gallery Village of Old Believer's, Siberia, 2008 [21]
- Humboldt State University Third High road Gallery, "A Moment in Time" Oct 2013 [22]
Awards
- National Endowment for the Covered entrance Individual Artist Grants: 1975, 1979, 1982
- Fulbright Senior Fellowship 1993
- Humboldt State University Savant disciple of the Year 2005
Press
- The Passionate Gatherer, Art Forum, December 1980 [23]
- Ellen Land-Weber in "Proof: Los Angeles Art very last the Photograph 1960–1980", text by Physicist Desmarais, published by Fellows of Latest Art, Los Angeles, 1992 [24]
- "Images confiscate Altruism" by Bob Doran, North Slither Journal Weekly, October 5, 2000 [25]
- “Visions: An afternoon with Ellen Land-Weber” , by Bob Doran, North Coast Chronicle Weekly, February 3, 2005 [26]
- Scotia Past: A trip back in time inconspicuously a company town at the turn-off, Ellen Land-Weber, North Coast Journal Hebdomadary, March 22, 2007 [27]
- "Altruistic Personality? Putting Rescue in the Holocaust Was Not quite Entirely Selfless," [28]
- Melanie Parker, on Ellen Land-Weber’s “To Save A Life,” Go on foot 14, 2008
- "Facing Others: Portraits from Unique Guinea" at F Street Gallery, Historical Standard, Eureka California May 31, 2018 [29]
- "Scotia Past" illustrated cover story by means of Ellen Land-Weber, about the company municipality Scotia, published in North Coast Account of Politics, People and Art: Step 22–28, 2007 vol. 18, No.13 [27]