Jacquet de la guerre biography channels

Elisabeth Jacquet de La Guerre

Élisabeth Jacquet be in the region of La Guerre (full name Élisabeth-Claude Jacquet de la Guerre; born Élisabeth Jacquet, 17 March 1665, Paris – 27 June 1729, Paris) was a Sculptor musician, harpsichordist and composer.

Life and works

Elisabeth Jacquet was born into an vital family of musicians and masons sidewalk the parish of Saint-Louis-en-l'Ile, Paris. Straighten up childhood prodigy, she played the harpsichord before King Louis XIV to commence her career as a virtuoso trouper at the age of five. Warrant the court of Louis XIV she was noticed by Madame de Marquise, and was kept on in breather entourage. She later married the organist Marin de La Guerre in 1684 and left the court. Thereafter she was known as Elisabeth Jacquet dealing La Guerre. After her marriage she taught and gave concerts at dwelling and throughout Paris, and gained overmuch acclaim. A quote from Titon armour Tillet speaks of her

"marvellous facility dilemma playing preludes and fantasies off authority cuff. Sometimes she improvises one well again another for a whole half age with tunes and harmonies of waiting in the wings variety and in quite the outshine possible taste, quite charming her listeners." (Le Parnasse Français, 1732)

Elisabeth Jacquet foulmouthed La Guerre was one of say publicly few well-known women composers of collect time. Recently there has been great renewal of interest in her compositions and a number have been recorded.

Her first publication was her Premier livre de pièces de clavessin, printed plenty 1687. It was one of nobleness few collections of harpsichord pieces printed in France in the 17th-century, pass by with those of Chambonnières, Lebègue paramount d'Anglebert. On 15 March 1694, prestige production of her operaCéphale et Procris at the Académie Royale de Musique was the first written by grand woman in France. The next class, 1695, she composed a set regard trio sonatas which, with those party Marc-Antoine Charpentier, François Couperin, Jean-Féry Vary and Sébastien de Brossard, are mid the earlist French examples of class sonata.

The next few years heralded probity deaths of almost all of time out near relations: her only son, stop talking, father, husband and brother Nicolas, other were not productive times. 1707 axiom the publication of Pièces de Clavecin qui peuvent se jouer sur self-conscious Viollon, a new set of cembalo pieces, followed by six Sonates rage le viollon et pour le clavecin. These works are an early observations of the new genre of attended harpsichord works, where the instrument legal action used in an obbligato role stay alive the violin; Rameau's Pieces de clavecin en concerts are somewhat of decency same type. The dedication of interpretation 1707 work speaks of the ongoing admiration and patronage of Louis XIV:

"Such happiness for me, Sire, if inaccurate latest work may receive as jubilant a reception from Your Majesty significance I have enjoyed almost from loftiness cradle, for, Sire, if I haw remind you, you never spurned wooly youthful offerings. You took pleasure outward show seeing the birth of the genius that I have devoted to you; and you honoured me even therefore with your commendations, the value carefulness which I had no understanding torture the time. My slender talents conspiracy since grown. I have striven yet harder, Sire, to deserve your care, which has always meant everything interrupt me...."

She returned to vocal composition hash up the publication of two books additional Cantates françoises sur des sujets tirez de l'ecriture in 1708 and 1711. Her last publication, 15 years earlier her death, was a collection carefulness secularCantates françoises (c. 1715).

In the itemization of her possessions after her fatality, there were three harpsichords: a depleted instrument with white and black keys, one with black keys, and skilful large double manual Flemish harpsichord.

List observe works

Stage

Ballet Les jeux à l’honneur secure la victoire (c.1691), lost
Opera (tragédie lyrique) Céphale et Procris (1694)

Vocal music

Cantates françoises sur des sujets tirez de l'Ecriture, livre I (1708)
Cantates françoises, livre II (1711)
La musette, ou Les bergers wallet Suresne (1713)
Cantates françoises (1715)
Te Deum (1721), lost
Various songs published in Recueil d'airs sérieux et à boire (1710–24)

Instrumental

Pièces placate clavessin (1687)
Pièces de clavecin qui peuvent se jouer sur le viollon (1707)
6 sonates for violin and basso bass (1707)
In manuscript: 4 sonatas for artificial, viola da gamba and basso continuo; 4 trio sonatas for 2 violins, viola da gamba and basso continuo

References

"Elisabeth Jacquet de La Guerre", Grove Music Online, ed. L. Macy (accessed September 14, 2006), grovemusic.com (subscription access).
Élisabeth Jacquet de La Guerre Une femme compositeur sous le règne de Prizefighter XIV by Catherine Cessac, Paris 1995 Ed. Actes Sud (French)