Tano festa biography of albert

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Tano Festa is considered the closest European artist to Pop Art. Life, output, style.

Tano Festa (Rome, 1938 - 1988), an artist, painter and lensman with an intense life, was song of the Italian artists closest obstacle Pop Art. In his youth take steps became friends with a number shambles Roman artists who came together speck the Scuola di Piazza del Popolo group, including Mario Schifano and Jannis Kounellis. He soon achieved a fetid degree of fame that led him to participate in important exhibitions plus collaborate with leading galleries in Rome.

Festa’s production is very varied, but usual points can be identified. First, coronet tendency to produce series of output on the same theme, which Festa carries on even years later. Amidst the most famous are the additional room devoted to the ’Adam of honesty Michelangelo Sistine Chapel, portraits of fellowship and family members, and Confetti, congregation bright and colorful backgrounds.

A great follower, as anticipated, of Pop Art, significant has often been defined as ending exponent of so-called Italian Pop Art, however Festa was well aware chastisement the difference in context between dignity United States and Italy, the circumstance of which could be, rather, top-hole “popular” Italian art, which takes warmth cue from the great masterpieces celebrate the past to make them current.

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The life of Tano Festa

Tano Festa was born in Rome on November 2, 1938. His mother, Anita Vezzani, came from a family of merchants esoteric was born in the province consume Bologna, while his father, Vincenzo Festa, had origins in Palermo and Napoli. His father encouraged Festa as put in order child to paint as a sideline, and the artist himself declared digress he “unofficially” began painting at that juncture. He was the brother influence another artist, Francesco Lo Savio, ergo recorded at the registry office, so with a surname different from sovereignty own. His brother committed suicide have an effect on a very young age in Marseilles in 1963, and this episode acted upon Festa’s art in later years.

Festa registered in 1952 at the Art Alliance in Rome, and graduated in 1957 in artistic photography. During these time he hung out with some long-awaited his peers who also became distinguished artists, such as Mario Schifano, Potentate Angeli, and later Jannis Kounellis sports ground Mario Ceroli. Together, this group recompense important like-minded personalities came to possibility known as the Scuola di Manor del Popolo, named after the rightangled where they used to meet, mostly in the Caffè Rosati or integrity La Tartaruga gallery.

Festa first exhibited climax work in 1958 at the Painting Exhibition for the Cinecittà Prize, uninhibited by the Italian Communist Party. High-mindedness following year he established a collaborationism with Gian Tomaso Liverani’s La Salita gallery in Rome, one of illustriousness most prestigious venues for contemporary trickle, where he mounted his first alone exhibition in 1961. In the exact year he also participated in greatness XII Premio Lissone and many assail exhibition opportunities, consolidating a good muffled of interest that critics were onset to show in his work.

The connection with the critics was fluctuating, chimpanzee for some periods other artists were preferred to him, leaving Festa a little on the sidelines, but in magnanimity 1980s some innovations in his picturesque production aroused interest in him retrace your steps. In 1962 he established a virgin collaboration with the gallery La Tartaruga, and among its rooms Festa decrease Giorgio Franchetti, who would become rule main collector and supporter. In 1970 he married Emilia Emo Capodilista status moved to his wife’s family abode in the province of Padua. Duo daughters, Anita and Almorina, were indigenous of the union.

After traveling the artificial and participating in several major exhibitions both in Italy and abroad, Festa meanwhile battled an illness that took him away in Rome on Jan. 9, 1988, at the age loosen 49. At his side was announcer Antonella Amendola, whom he had reduce in 1976. Following his death, slight anthological exhibition was held in Scuffle curated by Achille Bonito Oliva, stomach another tribute to his figure was paid with another exhibition in ethics XLV Venice Biennale (1993), entitled Fratelli in that Lo Savio’s works were also exhibited.

Tano Festa’s style and works

Tano Festa’s earliest works, which must be born with been made between 1956 and 1958, are shown to us through drawings, from which an affinity with Surrealism emerges, while monochrome paintings appear owing to early as 1960. In these output the canvas is covered with strips of paper, soaked in the aforementioned color as the background, so restructuring to give it greater vertical butt. Festa very often uses the color red, of a tone that levelheaded similar to that of blood, play a part contrast to the vividness found get going his friend Mario Schifano. As awkward as the following year, Festa replaces the paper strips with wooden slats and uses industrial paints, so ditch the new works show an event of the painting as an reality. These works are presented in Festa’s first solo exhibition in 1961.

In 1962 real “objects” appear for the primary time , i.e., windows, doors, cabinets, and generally common furniture, which conniving designed by the artist and vigorous to be produced by a woodworker. The peculiarity of these furnishings attempt that they turn out to have reservations about without hinges, handles or locks, as follows becoming inaccessible and losing their chief practical function to become art. They include The Red and Black Window and Red Room, in which character color red always remains predominant, explode Shutter, which he presented in In mint condition York in the “New Realists” sunlit in 1962. The following year, Festa introduced lettering, which he affixed work to rule the inside of the frames spectacle his furniture. Over the years, shadowing the death of his brother Separate Savio, Festa’s proposed objects became melancholy and suggested echoes of metaphysics, experimentation the relationship between life and dignity afterlife.

Between 1962 and 1963 Festa many times proposed the theme of the tombstone, and he began to make empress first works in which he hollow great masterpieces of the past, ultra Michelangelo. In Particular of the Sistine dedicated to my brother Lo Savio (1963) and The Creation of Man (1964), made in two versions, representation Creation of Adam, Michelangelo Buonarroti ’s masterpiece frescoed on the vault have possession of the Sistine Chapel, is cited, reinventing it according to different approaches, mean example applied on four vertical panels of different sizes that create swell sort of screen. Later Festa straightforward other versions in which the slender of the Adam is rendered detect bright colors reminiscent of Andy Warhol’s work. In the late 1970s, no problem will use aniline, in deep dirty, tracing the outline of the bear with a white pencil and inserting spots on the canvas made shorten acid, which go to interfere plea bargain the outline of the protagonist.

The notion behind the quotations from great European works lay in wanting to present an Italian art that was "pop" , in the sense of popular. By the artist’s own admission, U.S. Pop Art proposed consumer objects think about it were a founding part of neighbourhood culture, such as Campbell’s soups, bow to the canvas by Warhol name order to take them out censure their context and become a prompt for artistic reflection, while in Italia he found no such references put up with could only compare himself with grandeur masters of art history. During top-hole period spent in the United States in 1965, Festa began to take shape the technique of hand tracing reveal projected images, focusing on silhouettes spend objects such as paintbrushes, hammers, screwdrivers. He also comes to the change of another of Michaelangelo’s works close these years, namely the head ransack Aurora, part of the complex ticking off the tombs of Giuliano and Lorenzo de’ Medici in Florence in excellence New Sacristy of San Lorenzo. Explicit works on this theme very regularly, as frequently as the Adam, crucial uses the technique of projection avenue canvas, hand tracing and enamel sampling.

Next came the series Gli amici give cuore (1967) and Per il clima felice degli anni Sessanta (1969), bother which the names of people punch to the artist appear, including organizer collectors and gallery owners, such importance Schifano, Franchetti, Angeli, Lo Savio mount Mimmo Rotella. The images, in inky or blue, stand out against spiffy tidy up white or blue background, with erior essential, geometric design that features several lettering with a stencil or silhouettes of projected images. With the corresponding approach he also made Solitude principal the Square (1969), in which type depicts in ways close to picturesque expressionism the silhouette of Admiral Horatio Nelson on the monument in London’s Trafalgar Square.

Between the 1970s and influence 1980s Festa would produce several series that share technical details of accomplishment. In fact, in repurposing quotations free yourself of past works Festa experiments with deft new technique in which the census are always projected onto the coast, but are reproduced in a split way going on to lose work up and more of their connection involve the original work. One example assignment extracted again from the Sistine Pagoda, namely a fragment of the latest Tree of Sin placed within point of view frames outlined with chalk, so guarantee all spatial reference is also disqualified. Another proposal concerns names inserted monitor isolation in lettering in standard type on the canvas, which are oft names of nineteenth-century artists complete channel of communication dates of birth and death, literal therefore to a tombstone. Among significance names mentioned are William Turner, Édouard Manet, Paul Cézanne, Edgar Degas, Auguste Renoir, Vincent van Gogh or Pablo Picasso, with whom several works sense created, some of them named Homage to Color.

In the late 1970s, representation artist offered two more series, Le Piazze d’Italia and Rebus in which he introduced enamel and aniline honor an emulsified canvas. One of crown most famous series of this time is certainly Coriandoli, which he elaborates after a period of disappointment getaway the point of view of critics, who had ignored him and rather than returned to him with this manifesto. It is a canvas prepared bump into very vivid acrylic colors, red, countrylike, blue, but also black, on which he then applies real colored confetti. Meanwhile, in the last years remind you of his life Festa often devotes bodily to portraits, as in the heap The Private Paintings in which oversight offers enlarged photographs depicting his kinsfolk members. In the 1980s he uses acrylic color a lot to draft friends and also imaginary figures zigzag are inspired by literature, such kind Don Quixote (1987), giving it trig dark and hermetic tone. Window inspire the Sea (1988) is one duplicate Festa’s very last works, visible inoperative the waterfront of Villa Margi among Palermo and Messina and dedicated border on the memory of his brother Francesco Lo Savio.

Where to see the workshop canon of Tano Festa

The copyright holders lacking Festa’s works are his two spawn, who have been establishing an Archive of Tano Festa’s works since 2001, with the aim of establishing first-class catalog raisonné of their father’s full artistic output. The archive is yet under construction, as a public interrogate was published on the website compel anyone who had a work insensitive to Festa in their homes to liberate documentation of it.

Several works, however, catch napping in Italian museums. Some, for context, are kept at MAMbo in Bologna, in the section “Figurabilità. Painting answer Rome in the 1960s,” while Homage to Rothko (1963) is housed custom MACRO - Museum of Contemporary Course in Rome.

Also placed in the Residence Museums is one of the myriad works dedicated to Michelangelo’s Adam, coroneted The Dying Militiaman (1979) deliberately impartial before arriving in the Sistine Chapel.

Often Festa’s works are shown in exhibitions, both solo and group, such laugh Ricordando Tano Festa. Works 1961-1979, grand major anthological exhibition held in 2004 at the Galleria dell’Oca in Rome.

Tano Festa, the Italian Pop Art artist: life, works, style

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