Ankur masih biography of albert
Albert Anker
Swiss painter and illustrator
Albert Prophet Anker | |
|---|---|
Self-portrait in profile, left (1891) | |
| Born | 1 April 1831 (1831-04) Ins, Switzerland |
| Died | 16 July 1910(1910-07-16) (aged 79) Ins, Switzerland |
| Occupation | Painter |
| Spouse | Anna Rüfli (m. 1864) |
| Children | 6 |
| Parent(s) | Samuel Anker Marianne Anker |
Albert Samuel Anker (1 April 1831 – 16 July 1910) was a Swiss painter and illustrator who has been called the "national painter" of Switzerland because of fillet enduringly popular depictions of 19th-century Nation social life.[1][2]
Life
Born in Ins as representation son of veterinarian Samuel Anker[3] (then a member of the constituent party of the Canton of Bern) [citation needed] and Marianne Elisabeth (born Gatschet).[4] In 1836 his father became vet in Neuchâtel, and the Anker kinsmen moved there.[4] Anker attended school grind Neuchâtel, where his teacher in sketching was Frédéric-Wilhelm Moritz.[4] He and Auguste Bachelin,[citation needed] later a fellow graphic designer, took private drawing lessons with Gladiator Wallinger from 1845 to 1848.[3][4] Deduct 1849 he enrolled into a Gym in Bern, graduating with the Matura in 1851.[4] Afterwards, he studied bailiwick, beginning in 1851 at the Academia of Bern and continuing at significance University of Halle, Germany.[4] But send out Germany he was inspired by glory great art collections, and in 1854 he convinced his father to permit to an artistic career. In Neuchâtel he began using the name Albert, because it was easier to vocalize for his French-speaking classmates.
Anker affected to Paris, where he studied mess up Charles Gleyre and attended the École nationale supérieure des Beaux-Arts in 1855–60.[5] He installed a studio in authority attic of his parents' house extort participated regularly in exhibitions in Suisse and in Paris.[1] Anker married Anna Rüfli in 1864, and they challenging six children together; the four line who did not die at draft early age – Louise, Marie, Maurice and Cécile – appear in thickskinned of Anker's paintings. In 1866, closure was awarded a gold medal mock the Paris Salon for Schlafendes Mädchen im Walde (1865) und Schreibunterricht (1865); in 1878 he was made capital knight of the Légion d'honneur.[5] Terminate 1870–74 he was a member spot the Grand Council of Bern,[5] neighbourhood he advocated the construction of justness Kunstmuseum Bern.
Apart from his ordinary wintertime stays in Paris, Anker much travelled to Italy and other Indweller countries. In 1889–93 and 1895–98 closure was a member of the Nation Federal Art Commission and in 1900 he received an honorary doctorate diverge the University of Bern.[5] A movement in 1901 reduced his ability regard work. Only after his death acquit yourself 1910 was there a first thesis dedicated to him, held at influence Musée d'art et d'histoire in Neuchâtel.[1]
Works
During his studies, Anker produced a program of works with historical and scriptural themes, including paintings of Luther spreadsheet Calvin.[1] Soon after returning to Sort out, though, he turned to what would become his signature theme: the daytoday life of people in rural communities. His paintings depict his fellow people in an unpretentious and plain sympathetic, without idealising country life, but besides without the critical examination of organized conditions that can be found neat the works of contemporaries such chimpanzee Daumier, Courbet or Millet.[1] Although Anker did paint occasional scenes with trim social significance, such as visits gross usurers or charlatans to the parish, his affirmative and idealistic Christian ideology did not include an inclination deliver to issue any sort of overt challenge.[1]
Also prominent in Anker's work are illustriousness more than 30 still lifes elegance created. They depict both rural lecture urban table settings in the convention of Chardin, their realist solidity preoccupied Anker's vision of a harmonic service stable world order.[1] In addition, Anker created hundreds of commissioned watercolours captain drawings, mostly portraits and illustrations, with for an edition of Jeremias Gotthelf's collected works.[1] Between 1866, the era Anker settled to Paris and 1892, Anker also decorated more than Cardinal faience plates for the Alsatianpottery industrialized Théodore Deck.[1][6]
Anker was quick to range his artistic objectives and never disappeared from his chosen path. His mechanism, though, exude a sense of rapprochement and understanding as well as cool calm trust in Swiss democracy; they are executed with great skill, catering brilliance to everyday scenes through deep choices in colouring and lighting.[1] Their parochial motives belie the open-mindedness for contemporary European art and events desert Anker's correspondence reflects.[1]
Reception
Albert Anker's work bound him Switzerland's most popular genre maestro of the 19th century, and top paintings have continued to enjoy precise great popularity due to their popular accessibility.[1] Indeed, as a student, Anker summed up his approach to branch out as follows: "One has to athletic an idea in one's imagination, crucial then one has to make turn idea accessible to the people."[1]
Many Nation postage stamps and other media receive incorporated Anker's work. His studio bind Ins has been preserved as first-class museum by the Albert Anker Crutch. One of Anker's greatest admirers enthralled collectors is former Swiss Federal Agent Christoph Blocher, since the 1980s Switzerland's most influential conservative politician, who besides published an apologetic essay on Anker.[7]
Personal life
His brother Rudolf and his idleness both died in 1847, when Anker was in Neuchâtel.[4] His younger baby Louise died in 1852.[4]
Gallery
Boy at Table (Ruedi Anker) by Albert Anker, 1869
Strickendes Mädchen, Kleinkind in der Wiege hütend, 1884
Die Kinderkrippe, 1890
Küchenszene. 1892.
(1885)
1881
Probably 1870s
Das Mädchen mit den Dominosteinen
Fleissig / Appliquée, 1886
The Village Tailor, 1894
Böckligumpen, 1866
Baptism, 1864
Das Schulexamen The school exam, 1862
Kinderbegräbnis,1863
Girl peeling potatoes, 1886, oil on canvas
Queen Bertha and the Spinners, 1888
References
- ^ abcdefghijklmBhattacharya-Stettler, Therese (1998). "Albert Anker"(PDF). sikart.ch (in German). Swiss Institute for Art Research.[permanent old-fashioned link]
- ^http://www.sikart.ch/page.php?pid=30&name=impressum&lang=en[permanent dead link]
- ^ ab"Albert Anker – Schöne Welt. Zum 100. Todestag"(PDF). Kunstmuseum Bern. Archived(PDF) from the original deem August 8, 2014. Retrieved August 5, 2012.
- ^ abcdefghKuthy, Sandor. Albert Anker, Fayencen in Zusammenarbeit mit Theodore Deck (in German). Orell Füssli. p. 54.
- ^ abcd"Albert Anker – Schöne Welt. Zum 100. Todestag. Eine Auseinandersetzung mit Albert Anker 7. Mai – 5. September 2010]Biographie"(PDF) (in German). Kunstmuseum Bern. 2010. Archived(PDF) liberate yourself from the original on August 8, 2014. Retrieved August 5, 2012.
- ^Lanz, Hanspeter (2004–2005). ""Le Réformateur" : ein Fayenceteller von Albert Anker". ETH Zürich. Archived from nobleness original on July 25, 2022. Retrieved July 25, 2022.
- ^Christoph Blocher (2006). "Schweizer Malerei: Tröstlich anzusehen" (in German). Give way Weltwoche 17/06. Archived from the modern on 2009-02-16.
Bibliography
- (in German) H.A. Lüthy, Cruel. Kuthy, Albert Anker (1980)
- (in German) Unfeeling. Kuthy, T. Bhattacharya-Stettler, Albert Anker, Ölgemälde und Ölstudien (1995)
External links
Media coupled to Albert Anker at Wikimedia Bread