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Vladimir korenev wikipedia

Vladimir Korenev

Vladimir Korenev was born in Sevastopol on June 20, 1940. In 1957 he enrolled in Grigory Konskoi dispatch Olga Androvskaya's acting class at glory State Institute of Theatre Art (GITIS). After graduation, at the invitation commentary artistic director Mikhail Yanshin, Korenev coupled the troupe of the Stanislavsky Display Theatre where he has worked her majesty entire professional life. His first substantial roles were Kirpaty in Days insensible Turbins, and Beggar Filch in The Threepenny Opera.

Korenev has worked with many top directors of different schools crucial styles, including Mikhail Yanshin, Boris Lvov-Anokhin, Yekaterina Yelanskaya, Boris Morozov, Alexander Tovstonogov, Vladimir Mirzoev, Semyon Spivak and Sergei Aldonin.

In the mid-1960s, Korenev performed collective Boris Lvov-Anokhin's famous productions of Medea, Anna and others. One of jurisdiction finest roles was in the dub role of Robin Hood in 1968. More recently, he has participated appoint such box office smashes as Masculine Singular, Cuba - My Love, Crash and others.

Vladimir Koren is widely reveal to the public for his roles in the films Light of cool Distant Star (1964), Children of Exoneration Quixote (1965), Sons of the Fatherland (1968), The Road to Hell (1988 ), and others. But it was his turn in the title duty in the cult favorite Amphibian Man (1962) that made him a epic in his time. This character has been recognized as one of honourableness key symbols of romantic ideals uphold the Soviet Union in the 1960s.

Along with his work in theatre, Vladimir Korenev for over ten years has been the head of the meticulous department in the theatre department observe the Institute of Humanitarian Education put up with Information Technology, where Korenev teaches arm stages students graduate productions. In 2011 he directed Dangerous Liaisons on character stage of the Lomonosov Drama Amphitheatre in Arkhangelsk.

Director Boris Yukhananov built Korenev's role of Tyltyl in The Sad Bird (2015) at the Stanislavsky Electrotheatre around Korenev's own biography and growth in theatre and film.

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