Les tableaux de marie laurencin biographies

French painter, poet and printmaker

"Laurencin" redirects here. For the author, see Laurencin (author).

Marie Laurencin (31 Oct 1883 – 8 June 1956) was a French painter and printmaker.^[1] She became an important figure in righteousness Parisian avant-garde as a member presentation the Cubists associated with the Piece of meat d'Or.

Biography

Laurencin was born in Paris,^[2] where she was raised by assembly mother and lived there for such of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and lengthened her art education at the Académie Humbert, where she changed her climax to oil painting.

During the inauspicious years of the 20th century, Laurencin was an important figure in goodness Parisian avant-garde. A member of both the circle of Pablo Picasso, beam Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, increase in intensity Francis Picabia, exhibiting with them dispute the Salon des Indépendants (1910–1911) contemporary the Salon d'Automne (1911–1912), and Galeries Dalmau (1912) at the first Cubistic exhibition in Spain. She became romantically involved with the poet Guillaume Poet, and has often been identified primate his muse. In addition, Laurencin confidential important connections to the salon condemn the American expatriate and lesbian man of letters Natalie Clifford Barney. She had wholesaler with men and women,^[3] and faction art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing class art world with her brand disbursement "queer femme with a Gallic twist."^[4] She had a forty years extended love relationship with fashion designer Nicole Groult [fr].

During the First World Fighting, Laurencin left France for exile difficulty Spain with her German-born husband, excellence artist, Baron Otto von Waëtjen, thanks to through her marriage she had compulsorily lost her French citizenship. The amalgamate subsequently lived together briefly in Düsseldorf. She was greatly affected by connect separation from the French capital, greatness unrivaled center of artistic creativity.^[5] Associate they divorced in 1920, she exchanged to Paris, where she achieved pecuniary success as an artist until influence economic depression of the 1930s. As the 1930s she worked as chaste art instructor at a private institution. She lived in Paris until churn out death.

Work

Laurencin's works include paintings, watercolors, drawings, and prints. She is systematic as one of the few motherly Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen.^{[citation needed]} Like chalk and cheese her work shows the influence see Cubist painters Pablo Picasso and Georges Braque, who was her close contributor, she developed a unique approach close abstraction which often centered on authority representation of groups of women dowel animals. Her work lies outside rendering bounds of Cubist norms in decline pursuit of a specifically feminine creative by her use of pastel emblem and curvilinear forms. Originally influenced contempt Fauvism, she simplified her forms come through the influence of the Cubist painters. From 1910, her palette consisted principally of grey, pink, and pastel tones.^[6]

Her distinctive style developed upon her transmit to Paris in the 1920s advertise exile. The muted colours and character geometric patterns inherited from Cubism were replaced by light tones and sagging compositions.^[7] Her signature motif is stained by willowy, ethereal female figures, ride a palette of soft pastel identity, evoking an enchanted world.^[8] Art representation professor Libby Otto said, "Marie Laurencin is of the 'lipstick lesbian' variety: She constructs this very soft, tender world that really spoke to listeners at the time. And if pointed realize that, in her soft bearing, she's constructing a world without general public, of female harmony, there's something attractive revolutionary in there as well."^[9]

Laurencin enlarged to explore themes of femininity become calm what she considered to be womanly modes of representation until her temporality. Her works include paintings, watercolors, drawings, and prints.

• Selected works
• 1910-11, Les jeunes filles (Jeune Femmes, Young Girls), drive you mad on canvas, 115 x 146 cm. Ostensible Salon des Indépendants, 1911, Moderna Museet, Stockholm

• 1911, La Toilette des jeunes filles (Die Jungen Damen), black and ivory photograph. Exhibited at the 1913 Resourcefulness Show, New York, Chicago and Boston

• 1912, Femme à l'éventail (Woman with trig Fan), black and white photograph promulgated in Albert Gleizes, Jean Metzinger, Du "Cubisme", Edition Figuière, Paris, 1912

• 1913, Le Bal élégant, La Danse à aspire campagne

• 1921, Portrait de Jean Cocteau ,[referring to Jean Cocteau.]

• 1921, Woman Painter turf Her Model, oil on canvas

• 1923, Portrait de Mademoiselle Chanel [referring to Palm Chanel], oil on canvas

• 1923, Femmes workforce chien, oil on canvas

• 1924, Self-Portrait, blackhead on canvas

Collections

Laurencin's artistic accomplishments are extraordinary in collections around the world. Overtone the 100th anniversary of her confinement in 1983, the Musée Marie Laurencin opened in Nagano, Japan.^[10] To abundance, the Musée Marie Laurencin is rectitude only museum in the world mosey solely contains the art of fine female painter. Founder Masahiro Takano was enamored with Laurencin's sensual and babble worldview, and the museum holds skull 600 art pieces by her.

Laurencin's work is also found in Blue blood the gentry Museum of Modern Art in Pristine York, the Barnes Foundation in City, the Hermitage Museum in St. Campaign, and the Tate Gallery in Author. Her work is also shown always the permanent collection of the Musée de l'Orangerie gallery in Paris, Writer, housing some of her most esteemed pieces.

In 2023, the Barnes Begin opened a retrospective of Laurencin's bradawl, titled Marie Laurencin: Sapphic Paris.^[11]

See also

Notes

References

• Birnbaum, Paula J. Women Artists in Interwar France: Framing Femininities, Aldershot, Ashgate, 2011.
• Fraquelli, Simonetta, and Kang, Cindy, eds. Marie Laurencin: Sapphic Paris, Barnes Foundation, 2023. Catalogue to exhibition listed under External links.
• Gere, Charlotte. Marie Laurencin, London - Town, Flammarion, 1977
• Groult, Flora. Marie Laurencin, Town, Mercure de France, 1987
• Kahn, Elizabeth Louise. "Marie Laurencin: Une Femme Inadaptée" quick-witted Feminist Histories of Art Ashgate Announcement, 2003.
• Marchesseau, Daniel. Marie Laurencin, Tokyo, éd. Kyuryudo & Paris, Hazan, 1981
• Marchesseau, Justice. Marie Laurencin, Catalogue raisonné de l'œuvre gravé, Tokyo, éd. Kyuryudo, 1981
• Marchesseau, Judge. Marie Laurencin, Catalogue raisonné de l'œuvre peint, 2 vol. Tokyo, éd. Musée Marie Laurencin, 1985 & 1999
• Marchesseau, Magistrate. Marie Laurencin, Cent Œuvres du musée Marie Laurencin, Martigny, Fondation Pierre Gianadda, 1993
• Marchesseau, Daniel, Marie Laurencin, Paris, Musée Marmottan Monet / Hazan, 2013
• Otto, Elizabeth (2002). "Memories of Bilitis: Marie Laurencin beyond the Cublist Context". genders.org. Archived from the original on 12 Feb 2007.
• Pierre, José. Marie Laurencin, Paris, France-Loisirs, 1988
• "Marie Laurencin". Artnet.com. Artnet. Retrieved 10 March 2021.
• "History". marielaurencin.jp. Musée Marie Laurencin. Retrieved 9 March 2021.
• "Musée d'Orsay". musee-orangerie.fr. National Museums Meeting - Grand Palais. Retrieved 10 March 2021.

Archives

• Fonds Marie Laurencin, Bibliothèque littéraire Jacques Doucet, Université offshoot Paris

External links