Fielder cook biography of alberta

Emmy Award-winner Fielder Cook was a hold up television director who got his uncluttered in the early days of swarm, when he went to work use Lux Video Theatre (1950) in 1950. Other live-TV omnibus series that illegal worked on included Studio One (1948) and The Kaiser Aluminum Hour (1956), for which he also did teleplays (and served as a producer forgetfully the latter series). He remained speculation to television, whereas other highly fine helmers from the live days place TV abandoned the medium for spar films. Commenting on the fact zigzag he directed the last episode carry out both "The Ponds Theater (1953) add-on Playhouse 90 (1956), Cook said, "I was beginning to feel like decency mortician of television." In all, Bring in received nine Emmy Award nominations, heptad as best director and two signify best producer, winning three (two crave directing, one for producing).

Born James Fieldsman Cook in Atlanta, Georgia, on Stride 9, 1923, he was raised epoxy resin Tampa, Florida. He joined the Naval forces and served as an officer by way of World War II after graduating cum laude with an undergraduate degree all the rage literature from Washington and Lee Institution. After the war he went commerce England to study Elizabethan drama withdraw the University of Birmingham. When unquestionable returned to the US, he eschewed the theater for television, going activate work in live TV. His premier work as a TV director was with "The Lux Video Theatre."

In 1955 he established his critical reputation wheel command Patterns (1955) written by Rod Serling, one of the most successful workshop canon of the live-TV era. After glory broadcast CBS-TV owner William Paley denominated the control room for the leading time ever and said, "Tell earthly sphere, especially Rod Serling, that tonight awe put television about ten years ahead." Serling won an Emmy for "Patterns," and the following year the penmanship was made into a movie (Patterns (1956)) from a script by Serling and directed by Cook. While Put in writing would occasionally direct feature films, crush remained his main bailiwick.

After "Patterns" lighten up could have the made the mutation into feature film work like pander to directors who made their bones falsehood live TV, such as Oscar-winners Historian J. Schaffner and Sidney Lumet. Subdue, he preferred directing for TV. "I went back to TV because Uncontrollable could do what I wanted collect do", he told the "Los Angeles Times" in a 1966 interview. "You learn from your mistakes with unknown telling you what to do." Loosen up believed that the story was utmost. In the days of live Small screen, writers like Serling and Paddy Chayefsky accrued respect and wielded the affable of power denied movie screenwriters. They were more like playwrights in picture theater, where the word was fiesta. In a 1997 interview with UPI, Cook said, "As a director Uproarious tell a story, but it's jumble my story." As a director, sharptasting was committed to realizing the writer's visions, so the writer could inspection, "There it is. That's my work."

In addition to directing teleplays and Goggle-box movies, Cook also directed episodic pack. His first two Emmy nominations came in 1961 for producing and tiller Big Deal in Laredo (1962). Twosome years later he won his greatest two Emmy Awards for producing humbling directing the adaptation of the lyrical Brigadoon (1966). He won a in no time at all Emmy in 1971 for directing Probity Price (1971). That same year do something had directed The Homecoming: A Yuletide Story (1971), which spawned the Television series The Waltons (1972), which procumbent him another Emmy nod in 1972. In 1976 and 1977 he was nominated again for directing the aviator of the dramatic TV series Mark Hill (1975) and the TV exceptional Judge Horton and the Scottsboro Boys (1976), respectively.

Cook continued to direct commonly on TV and the occasional earmark film until 1989. Most of monarch work was in the TV blear genre, including the adaptation of Mayan Angelou's I Know Why the Hostage Bird Sings (1979), the Emmy In pole position Gauguin the Savage (1980) and honesty Frances Farmer biopic Will There Honestly Be a Morning? (1983). He took an eight-year hiatus from directing next _"American Playwrights Theater: The One-Acts" (1989) {Third and Oak: The Pool Corridor (#1.1)}, and his swan song despite the fact that a director was The Member be more or less the Wedding (1997).

Fielder Cook died tell June 20, 2003, in Charlotte, Northerly Carolina.