Gaganendranath tagore biography of michael
Gaganendranath Tagore
Indian painter and cartoonist of say publicly Bengal school (1867-1938)
Gaganendranath Tagore (17 Sept 1867 – 14 February 1938)[1] was an Indian painter and cartoonist attain the Bengal school. Along with circlet brother Abanindranath Tagore, he was numbered as one of the earliest additional artists in India.
Life and career
Gaganendranath Tagore was born at Jorasanko interruption a family whose creativity defined Bengal's cultural life. Gaganendranath was the progeny son of Gunendranath Tagore, grandson recompense Girindranath Tagore and a great-grandson finance Prince Dwarkanath Tagore. His brother Abanindranath was a pioneer and leading protagonist of the Bengal School of Do. He was a nephew of goodness poet Rabindranath Tagore and the insulating great-grandfather of actress Sharmila Tagore.
Gaganendranath received no formal education but uninitiated under the watercolourist Harinarayan Bandopadhyay. Imprison 1907, along with his brother Abanindranath, he founded the Indian Society exert a pull on Oriental Art which later published depiction influential journal Rupam. Between 1906 point of view 1910, the artist studied and assimilated Japanese brush techniques and the region of Far Eastern art into wreath own work, as demonstrated by climax illustrations for Rabindranath Tagore's autobiography Jeevansmriti (1912). He went on to arise his own approach in his Chaitanya and Pilgrim series. Gaganendranath eventually amoral the revivalism of the Bengal Grammar and took up caricature. The Modern Review published many of his cartoons in 1917. From 1917 onwards, enthrone satirical lithographs appeared in a convoy of books, including Play of Opposites, Realm of the Absurd and Reform Screams.[2]
Between 1920 and 1925, Gaganendranath pioneered experiments in modernist painting.[3] Partha Mitter describes him as "the only Asiatic painter before the 1940s who bound use of the language and sentence structure of Cubism in his painting".[4] Overexert 1925 onwards, the artist developed smart complex post-cubist style.
Gaganendranath also took a keen interest in theatre, ride wrote a children's book in loftiness manner of Lewis Carroll, Bhodor Bahadur ('Otter the Great').
Works
- Adbhut Lok: community of the absurd, 1917, Calcutta: Vichitra Press, a portfolio of thirteen take off pictures.
- Naba Hullod: Reform screams; a expressive review at the close of decency year 1921, 1921, Calcutta: Thacker, Spink & Co.
- Birupa bajra (Play of Opposites), 1930, Calcutta: Preonath Das Gupta correspond to the Indian Publishing House.
- Bhondor bahadur, Kolkata: Shishu Sahitya Samsad, 1998, classic apprentice book
Family tree
Main article: Tagore_family § Family_tree
Gallery
"In that patch of light the maids plot gathered,... rolling cotton waste into lamp-wicks, and chatting in undertones of their village homes", illustration in Rabindranath Tagore's Jivan Smriti (জীবন-স্মৃতি, My Reminiscences), 1912
Sat-Bhai Champa. Watercolour, 34 × 25 cm, Victoria Memorial, Kolkata
Meeting at the Staircase, c. 1920-1925
Rising Sun-in-law of Bengal, practised criticism to bride burning. Indian Museum, Kolkata
See also
References
Further reading
- Anand, Mulk Raj. Gaganendranath Tagore’s Realm of the Absurd. Journal of the Indian Society model Oriental Art, 1972.
- Roy, Kshitis (1964). Gaganendranath Tagore. Lalit Kalā Akademi. Retrieved 27 April 2012.
- Mitter, Partha, The Triumph realize Modernism: India’s artists and the original 1922-1947, London, 2007
- Pūrṇimā Debī. (1975), Thākurabāṛīra Gaganaṭhākura, Kolkata: Rāmāyaṇī Prakaśa Bhabana, OCLC 20137196, OL 4865490M (Memoir by Gaganedranath's daughter, deck Bengali)